Osmo Testers

Tested out the Osmo over spring break. My son, my husband, and I all tested out the osmo over Spring Break. My son’s favorite were the Tangrams. My husband worked hard on his Masterpiece, but he said it was really challenging. I wondered if I thought it was easier because of the years of blind contour drawing practice I have done.

Ceramics Lessons and Management Tips

This week was a Ceramic-stravaganza! Check out my favorite ceramics lessons and management tips posts in the links below:

Ceramics Lessons

IMG_5576 Ceramic Zoo Animals & Paper Habitats

IMG_4310 Cultural Animal Vessels

IMG_4389 Abstract Personal Interest Figures

IMG_3433 Imaginative Model Homes & Architectural Facade Tiles

Ceramics Management Tips

IMG_5232 Firing Multiple Stages of Clay at the Same Time

IMG_5221 Kiln Cart Shelf Tags

IMG_3172 Ceramics Toolboxes

IMG_3212 Ceramics on the Art Cart

IMG_5227 Glaze Trays

Ceramics Management Tip: Glaze Storage & Distribution

IN our county many elementary art teachers use paint stations at each table to manage tempera paint. I thought the idea of a station where students have access to multiple colors of glaze would be useful, so I created these small glaze trays for each of the tables in my classroom. We use Mayco Stroke & Coat glazes which can be mixed to create a wide variety of tints and shades.  IMG_5223 IMG_5224Each table receives one glaze tray that contains the twelve most requested colors and a water dish for rinsing their brushes. The tray has a lid that students can use as a palette for mixing. I purchased the trays/storage boxes at the dollar store. The cups inside that hold each color of glaze were also purchased at the dollar store and were originally designed for salad dressing.

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On the center table in my room where I usually distribute materials I have a variety of paintbrush sizes available as well as a box that contains one bottle of each color of glaze, in case I need to do refills during class. If I were teaching from a cart I would set these materials up not he top shelf with the empty water dishes, and the bottom shelf would contain the bisqueware that is ready to be glazed in one large tray or copy box lid.IMG_5226All of these small glaze trays fit inside one of my art room cabinets. We just snap the lids on and stack them inside the cabinet for the next use. Over the summer they get dried out a little, but we just refresh them with more glaze and a little water if necessary. Occasionally someone will forget to rinse their brush before switching to a new color. If it isn’t a big glob the kids just stir it into the rest of the glaze. If it is a big difference in color (like a blob of black mixed into the white glaze) then I rinse out that cup and refill it, but that only happens once or twice a year. Overall we waste much less glaze using this method instead of paper plates or palettes, and I am able to afford to buy the stroke & coat glaze instead of the budget glaze that is stocked in our county’s supply warehouse.

I hope these ceramics tips were useful. If you missed any of the other ceramics posts you can check out the links below:

Ceramics Management Tips:

Firing Multiple Stages Together

Kiln Cart Shelf Tags

Clay Toolboxes

Clay on an Art Cart

Ceramics Lessons:

Ceramic Zoo Animals

Cultural Animal Vessels

Personal Interest Figures

Ceramic Gargoyles

Imaginative Model Houses & Architectural Facades

Ceramics Management Tip: Clay on an Art Cart

I know that many elementary art teachers teach from a cart, so I thought it might be helpful to see how I managed teaching ceramics from a cart in a general education classroom. I used to share an art room with the other full-time art teacher at my first school, and while I avoided it as much as possible, I did have to figure out how to manage teaching ceramics on the cart. I actually came up with the ceramics toolboxes idea when I taught on the cart because I wanted a way to quickly pack up all the tools and have them ready to roll. Each of our classrooms has a small sink, so I could still use my small water dishes when I arrived in the classroom. Each group of student desks would receive a toolbox, just like one table in my classrooms. Students would work with clay right on top of their desk, and at the end of class I would collect their finished sculpture in the clay tray (or copy paper box lids if that was what I had.) I stuck with one-day-only sculptures since there was no way for me to store anything over a week, but at least the students still got to use real clay even though they were not in the art room. Now I have more storage space, so I would have students bag up their sculpture inside a ziplock bag, store it in the clay tray, and wrap the tray in a garbage bag to save any escaping moisture before the next week.  At the end of class each student used a baby wipe to clean up- one for their desk and a second one for their hands.

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In this photo you can see how I would prep the cart for clay. On the top shelf there is a basket that includes grade level planning sheets/sketches as well as any instructional photo handouts (laminated to protect from clay). You can also see a spray bottle-for misting inside the ziplock bags before storing, water dishes, and at least one or two paper towels per student. students can build their sculpture on top of the paper towel to cut down on muddy clay sticking to the desk. The second shelf holds six clay toolboxes. The bottom shelf is empty- that is where the tray of finished sculptures would go when it is time to wheel everything back to the art room.

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